The importance of proportions and nuances in home furnishings.
Proportions and nuances are two fundamental elements in the furnishing of a room, since the right combination of furnishing accessories and living space can make the difference between a well-furnished environment and a chaotic and confusing one. In this article, we will explore the importance of considering proportions and nuances when furnishing a home.
Proportions are the key to creating a harmonious and balanced environment. Each piece of furniture should be proportionate to the space in which it is located and to the other elements present. For example, a sofa that is too large compared to the room it is in could make the environment seem claustrophobic and uncomfortable, while one that is too small could appear lost and inadequate. It is important to choose furniture and accessories that are proportionate to the surrounding space to create a harmonious and balanced atmosphere.
But it’s not just the size of the furniture that counts: proportions also affect the arrangement of objects within the room. For example, a dining table should be proportionate to the chairs around it and the distance between them. In addition, it is important to consider the balance between the different functions of the environment: a living room should be furnished in a way that allows relaxation but also socializing, so a space that is too crowded could make guests feel uncomfortable.
Nuances, on the other hand, refer to variations in shade, color and texture of furnishing objects. Nuances are also important to create a balanced and harmonious environment. For example, if you want to create a room with a sober and neutral color palette, it might be useful to add a few touches of color to break up the monotony, perhaps with a brightly colored painting or lamp. The texture of objects can also be important: a heavy, opaque fabric could be chosen for a sofa, while a light, transparent fabric might be preferable for curtains.
But how to choose the right shades? First, it’s important to consider the color of your walls and floors. If the walls are a strong color, it may be better to opt for neutral-colored furniture so as not to weigh down the room too much. Secondly, it is important to think about the mood you want to create: if you are looking for a relaxing atmosphere, it may be useful to choose pastel shades, while for a more decisive style it may be preferable to choose brighter shades.
In conclusion, the right combination of furnishing accessories and living space depends on both proportions and nuances. Choosing furniture and furnishing objects proportionate to the surrounding space and the other components of the environment is essential to create an atmosphere
The importance of design lamps in furnishing and creating the right warm and welcoming atmosphere
Decorating a room is not just limited to the choice of furniture and wall colors. An often overlooked but fundamental element to create the right warm and welcoming atmosphere is lighting. In particular, designer lamps can play a significant role in furniture, as well as adding a touch of style and personality to the environment. This article will explore the importance of designer lamps in furniture and how they can help create a welcoming and inviting atmosphere.
Expression of style and personality: Design lamps represent a form of artistic expression in the field of lighting. They are often conceived by talented designers who transform lamps into functional works of art. The choice of a design lamp allows you to insert a unique and distinctive element into your space that reflects your style and personality.
Focal points in the environment: Designer lamps, thanks to their creative design and attention to detail, can become real focal points within an environment. Placing a designer lamp in a strategic point immediately attracts attention and gives character to the entire space. It can serve as a decorative element and create a visual point of interest.
Setting the mood: The light emitted by designer lamps can be adjusted to create the desired atmosphere in a room. Depending on the occasion or mood you want to create, you can choose between a warm and enveloping light for an intimate and relaxing atmosphere, or a brighter light for a lively and dynamic atmosphere. The choice of bulbs and the shades of designer lamps directly affects the desired lighting effect.
Play of light and shadow: Designer lamps offer the possibility of exploiting the play of light and shadow to create a fascinating atmosphere. By strategically positioning the lamps in such a way as to cast suggestive shadows on the walls or ceiling, you can transform a room into an evocative and intriguing space. The use of translucent materials or innovative shapes can amplify the effect of shadows, creating a unique visual experience.
Functionality and versatility: In addition to the aesthetic aspect, designer lamps also offer functionality and versatility. There are different types of designer lamps, such as table lamps, wall lamps, pendant lamps, and floor lamps, each with a different purpose and
utilization. This variety allows lighting to be tailored to the specific needs of each room, whether it’s creating diffused lighting or focusing light on a specific area.
Conclusions: Design lamps are a key element in the furnishing of a room. In addition to being design objects, they play a fundamental role in creating the desired atmosphere, transforming spaces into welcoming and inviting environments. Proper lighting, provided by designer lamps, can improve comfort and positively influence people’s mood. Therefore, the choice of designer lamps should be careful and targeted to ensure that the lighting blends seamlessly with the décor and creates the right desired atmosphere.
Small spaces, such as small apartments, require special attention in the choice of furnishing elements. In these contexts, the use of a mirror can be particularly useful and advantageous, both from an aesthetic and functional point of view.
First of all, a mirror can give the impression of a larger and brighter space. This is because the reflection of light creates a depth effect that can make the room seem larger than it actually is. In addition, when placed in front of a window or other light source, a mirror can reflect natural light and amplify its effect, thus creating an even brighter and more welcoming atmosphere.
In addition to the aesthetic advantage, a mirror can also be useful for practical purposes. For example, if placed in an area of the house where there is not much light, it can help diffuse the light present, increasing the brightness of the room. Additionally, a mirror can be used to check your appearance, allowing you to be seen from different angles and making sure your look looks great before you leave the house.
Finally, a mirror can be used to create an effect of continuity between spaces. When placed in front of a door or other opening, it can give the impression that the room continues beyond the opening itself, thus creating an effect of fluidity and visual continuity.
In summary, a mirror can be a very useful and advantageous piece of furniture in a small space. Not only can it help increase the brightness and depth perception of the room, but it can also be used for practical purposes such as controlling one’s appearance. So, if you’re looking to furnish a small apartment, consider buying a mirror as an essential piece of furniture to make your home more welcoming and functional.
DO YOU HAVE DOUBTSON HOW TO CHOOSE THE SHADES OF COLORS OF THE INTERIOR OF YOUR HOME? THIS ARTICLE WILL DISSOLVE SOME PERPLEXITYFOR THE CHOICEOF THE PERFECT COLOR COMBINATION.
We won’t be the ones to say there’s a right or wrong way to choose colors for your home décor, but if you’re here, we think you need a helping hand. If you can’t get out of the impasse, it’s time to consider the 60-30-10 color rule. We will guide you through this interior designtechnique, which will give your home a harmonious look and the ability to last longer.
Beyond preferences and tastes, colors that are not matched with each other could make you feel uncomfortable in a home. The eyes perceive only disorder, confusion and color dissonances. That’s why among the first tips we give, as an architect and interior designer, to furnish any room, there is always the study of chromatic shades. Choosing a common color palette for the whole house helps to harmonize the entire décor.
In the visual arts there are some rules that can help us. The 60-30-10 interior designtechnique is a proven method that builds on some of those rules and helps you come up with a harmonious colorscheme for your entire home. It is not an abstract methodology, but on the contrary, it is applied in many real cases. Professionals often use it in an “unconscious” way, having a cultural background and a solid base of training and experience, from which to draw.
Most likely, you have already read something about it here on our blog, but we decided to delve deeper into the topic, because it often seems like a more complicated concept than it actually is.
WHAT IS THE 60-30-10 COLOR RULE IN INTERIOR DESIGN
The 60-30-10 color technique is about how colors should be adjusted proportionally, within the environment, to achieve a balanced and harmonious atmosphere. With the 60-30-10 rule, even non-professionals can make sure that the colors are in the right proportions. If you’re in a pinch, use it and you can’t go wrong. Here’s how it works…
A house or a room will be in perfect chromatic harmony if:
60% of the chromatic presence is given by the primary color
30% of the chromatic presence is given by the secondary color
10% of the chromatic presence is given by the accent color
It is not a rigid and categorical rule, in the sense that you are not obliged to choose only 3 colors, but if you define the main shades, it will be easier to find shades in harmony for each individual area.
60%: PRIMARY COLOR
The main color you have selected for your spaces should represent 60% of the color inside the room or, even better, the whole house.
This percentage is represented by the color of the walls, the ceiling and in some cases the largest furniture such as the kitchen furniture or the wardrobe in the room or the most present elements such as curtains, if there are large windows.
Essentially, the primary color should serve as the dominant color in the room. Generally, they are neutral and light colors, which help to create a bright background in the room and highlight other colors. The range of whites, grays, and beiges are the most used for this purpose. However, you can also find light desaturated colors, as in the photo above.
30%: SECONDARY COLOR
This is a secondary color, which should have about half the presence of the main color.
In a house or room, this nuance can come from the floor, furniture, a large carpet, sometimes curtains, a large piece of furniture (such as a sofa or bed), or a single wall. These elements of the house play a supporting role to create an elegant and harmonious look. The goal is to make the secondary color enhance the main color within the environment, adding contrast and depth.
Here the range of colors is wider than the previous one, although we tend to use neutral colors, but darker or colors that are not bright. For example, black, dark gray, brown in all its shades (especially that of wood essences), pastel tones or desaturated colors. It is not uncommon to choose to use two secondary colors, but they have a similar impact (wooden floor and dark gray sofa, for example).
10%: ACCENT COLOR
This percentage represents what we call accent colors in jargon, i.e. those elements of furniture in charge of “attracting attention”.
In your home, for example, your accessories, complements and textiles can provide colour details. Generally, 10% is represented by some of these elements: cushions, decorations, paintings, throws, but they could also be a coffee table, a chair, an armchair, etc.
It can be a lively or muted tone, depending on the look you want to achieve.
There are situations where one accent color is not enough, so it could be two colors (5%+5%), but know that it is more difficult to match them. A quick trick is to extrapolate the two colors from a patterned element chosen to furnish, in order to tie in with the rest: for example, these shades could be taken from a pattern of linen (if we are in the bedroom), a kilim or modern rug, if we are talking about the living room, but also from a large painting or a pillow.
These are colors that will be representative of your personality. Normally bright colors tire more easily than others, however, following this rule, we could change them in the future with other colors, rather quickly and cheaply, because we would only have to replace those small details.
As you can see, it is a very simple and easy to apply technique. We just need to know the colors we want to match or if there are already colors present, which we don’t want to change from which to start (for example the floor, a wardrobe, etc.).
Here are some more practical examples that show the 60-30-10 color rule in use…
Furnishing an interior with the right proportions and nuances is an approach that focuses on the use of furnishing objects with perfect dimensions and proportions for the environment in which they are located. This style requires great attention to detail, in order to create a balanced and harmonious environment. Interior furnishings of proportions and nuances are also based on the use of colors, fabrics and materials that blend perfectly with each other.
The wall clock as a design element.
The wall clock is a design element that can add a touch of elegance and style to any room. There are many types of wall clocks, from traditional to more modern and minimalist versions. Choosing the right wall clock for your living space will depend on the style of the room and your personal preferences.
The right combination of the wall clock and the living space.
To create a harmonious and balanced environment, it is important to choose the right wall clock and match it correctly with the living space. First, it’s important to evaluate the size of the room and choose the clock based on it. For example, if the room is small, it is better to opt for a smaller clock, while if the room is large, you can choose a larger and more eye-catching clock.
Additionally, it’s important to consider the style of the room and match the clock accordingly. If the room has a classic or traditional style, you can opt for a clock with an antique or vintage design. On the contrary, if the room has a modern or minimalist style, you can choose a clock with clean and simple lines.
Finally, it is important to consider the location of the clock within the room. The wall clock should be placed in a visible position, but without creating an excess of clutter. Generally, it is best to place the watch at eye level, so that it can be easily read.
In conclusion, interior furniture of proportions and nuances is an approach that requires great attention to detail, but which can create a harmonious and balanced environment. Choosing the right wall clock and matching it correctly to the living space is essential to obtain the best result. Remember to consider the size of the room, the style of the room, and the location of the clock within the room to create an elegant and functional environment.
Choosing the right clock and matching it correctly with the living space is one way to create a welcoming and relaxing environment, where you can spend unforgettable moments with friends and family.
Philippe Starck, born in 1949, is one of the most influential designers in the world. His career boasts a wide range of projects ranging from interior design to household objects, from yachts to watches, so much so that in the 80s – at the age of only 31 – he was called the first star-designer in history. He also worked as an architect, designing numerous venues in Paris, New York and Tokyo including clubs, cafes, restaurants and hotels.
Philippe Starck: the stories behind his works In the early 2000s, Philippe Starck declared, “For twenty years I created objects that could be bought by as many people as possible, against the elitism of design. Now I want ecology to be within everyone’s reach.”
An eclectic and unpredictable mind, he won prestigious awards such as the Grand Prix National de la Création Industrielle and the Honor Award of the American Institute of Architects for the Paramount Hotel in New York. To shed light on a creative path full of productions (there are about 10,000 objects) and successes, the editorial staff of Elle Decor has selected 10 iconic objects by Philippe Starck.
Let’s find out together what they are:
APRILIA MOTÓ 6.5, 1995 In the 90s, Aprilia, the Italian motorcycle manufacturer founded in Noale, in the province of Venice, was enjoying the success generated by its scooters. It was precisely in this period that Ivano Beggio, at the head of the company since 1968, dreamed of giving life to an eternal icon of design and decided to hire the French Philippe Starck, to create the equivalent of the “Vespa” or “Fiat 500”.
Philippe Starck imagines a totally gray bike, in which the frame, plastics and cables are the same color. The bike does not stay on the road, the center of gravity is too low (because of the monumental muffler under the engine), the frame flexes and at high speed the bike sways. Everything has to be done again, at least for the chief test driver. But Beggio does not want to listen to reasons: Starck’s project cannot be touched. And with some minor revisions, the Motò was presented at the 1994 Motor Show. “The bike must be beautiful”: what was then a flop, today is a cult object.
THE PRIVATE APARTMENTS OF THE PRESIDENT OF THE FRENCH REPUBLIC AT THE ELYSÉE PALACE, 1982 The commission comes at the dawn of Philippe Starck’s success, who in 1979 has just founded Starck Product, with the aim of producing and marketing his works. His consecration to the general public came when the then French President François Mitterrand commissioned him to design the furnishings of some rooms of the private apartments of the Elysée.
Philippe Starck’s juicer is undoubtedly the most representative object of the French designer’s revolutionary work. Designed for Alessi in 1988, this object made of die-cast aluminium brings together the importance of functionality and the aesthetic factor of a design product. The long, slender legs and clean lines give the object an appearance that goes beyond the reason for which it was created, to the point of being exhibited at the MoMA in New York as a work of art.
THE ARÀ LAMP, 1988 Designed by Philippe Starck and produced by Flos Italia in 1988, Arà is a lamp that illustrates the company’s desire to combine the creative talent of great designers and high technology. The lamp consists of a circular chromed steel base that contains a lead counterweight and the rod that supports the adjustable horn-shaped head. A curiosity: the name of the lamp is a tribute to the birth of Starck’s daughter.
Designed by Philippe Starck and produced by Flos Italia in 1988, Arà is a lamp that illustrates the company’s desire to combine the creative talent of great designers and high technology. The lamp consists of a circular chromed steel base that contains a lead counterweight and the rod that supports the adjustable horn-shaped head. A curiosity: the name of the lamp is a tribute to the birth of Starck’s daughter.
Designed by Philippe Starck and produced by Flos Italia in 1988, Arà is a lamp that illustrates the company’s desire to combine the creative talent of great designers and high technology. The lamp consists of a circular chromed steel base that contains a lead counterweight and the rod that supports the adjustable horn-shaped head. A curiosity: the name of the lamp is a tribute to the birth of Starck’s daughter.
Designed by Philippe Starck in collaboration with Eugeni Quitllet, a Catalan designer, Kartell’s Masters chair was created as a tribute to the most famous design chairs. In the object, an interweaving of hybrid lines evokes three classics of contemporary design: the Tulip Armchair by Eero Saarinen, the Eiffel Chair by Charles Eames and the Series 7 by Arne Jacobsen. Despite the quotes, what comes out is a new and unique object.
The Groninger Museum opened in 1874, but in the 1990s the design of a new location began. Philippe Starck, Alessandro Mendini and Coop Himmelb(l)au are called in for the occasion, working individually on three different pavilions that reflect the idea of postmodern architecture. The works were completed in 1994.
Designed for Kartell, the Louis Ghost chair is one of the best-selling chairs in the world. Designed in resistant, stackable plastic, in different colors and shapes, Queen Elizabeth also sat on her. Philippe Starck draws inspiration from the royal chairs of Louis XI of France, simplifying the shapes and giving life to an object that has become a design cult.
D’E-LIGHT, 2011 As proof of how Philippe Starck has always been decidedly in step with the times, in 2011 he designed D’E’-Light, a lamp-lectern for smartphones or tablets. Die-cast aluminium head, extruded aluminium stem, zamak base to allow stability. The object, with a double soul, allows (by placing them on top) to recharge the devices.
THE LUXURY YACHT A (SAILING YACHT), 2015
Designed for Russian millionaire Andrey Melnichenko, the luxury yacht “A”, is the largest sailing yacht in the world. Launched in 2015, it is 142.8 meters long with a tonnage of 12,600 tons, has a 100-meter-high mast and sailed emerges from the sea like an eight-storey building. Starck designed a large swimming pool and an underwater observatory on the keel, with 30 cm thick glass, while the choice to insert bombproof glass and 40 CCTV cameras guarantees total safety. STEVE JOBS’ YACHT VENUS, 2012 In 2012 Steve Jobs has a secret dream. The commission goes to Philippe Starck who secretly begins working on Venus. It is not the only nor the last time Starck has come into contact with Apple. 80 meters long, the yacht was designed with a carbon and aluminum alloy outer hull with a metallic and luminescent bow, very similar to the material with which Apple’s computers and early iPods were made. It took about seven years to give life to Steve Jobs’ dream boat who, as often happened to him with Apple products, changed his mind and asked the designers for a restyling. As fate would have it, Steve Jobs, who died in October of the same year, would never see his dream come true.
The beauty of a house depends not only on its location, but also on its interior and exterior design. It often happens that you buy or inherit an ugly or neglected house, but this does not mean that it has to stay that way forever. With the help of an interior architect, you can turn an ugly house into a rare gem. First, it’s important to identify the main problems in your home. There may be structural problems, such as walls that need to be demolished or doors that need to be moved to improve the flow of light and air, or design problems, such as colors that are too dark or dated furnishings. Once the problems have been identified, you can work with the interior architect to find solutions that will solve them.
Light is a very important aspect to consider when it comes to interior architecture. Ugly houses tend to be dark and gloomy, with little natural light. The interior architect can work to open up spaces, increase windows, or even create new windows to let in more light. Additionally, using light, reflective colors on the walls, ceiling, and floors can help to reflect light and make spaces feel larger and airier. The layout of spaces is another important aspect of interior architecture. Often ugly houses have an inefficient and not very functional layout. The interior architect can work to create a layout that is more functional and suitable for the needs of the occupants of the house. For example, it can be useful to create an open space that integrates the kitchen, dining room and living room, in order to create a more welcoming and spacious environment.
In addition, the interior architect can work to create a coherent and harmonious design throughout the home. This may involve using similar materials and colors throughout the home, or updating old décor items with modern furniture that better complements the new design. Finally, the interior architect can work to create a comfortable and welcoming environment throughout the home. This may involve adding rugs, cushions, and other elements that make the spaces feel more welcoming and comfortable. Additionally, the use of plants and art can help to create a more relaxing and enjoyable environment.
In conclusion, an ugly house does not have to stay like this forever. With the help of an interior architect, you can turn an ugly house into a rare gem.
In a Spanish house where the design is inspired by nature between Japandi style, minimalism and sophisticated touches, an atmosphere of calm and tranquility is created.
The owner of this apartment is a young woman who travels constantly, both for business and pleasure. For this reason, when it came to building his home, he aspired to an intimate and relaxing atmosphere in a space where he could rest and find a quiet refuge after a long day at work.
So, she relied on the duo Marta Szczepanska and Paulina Szeroczynska of MAP Studio, two architects who are completely at ease in creating spaces that are calm and minimalist, but at the same time sophisticated and warm. “The holistic approach to interior design makes people feel good and comfortable in their home.”
They wanted to create a home in which to recharge their batteries and came up with a Japanese-inspired project. The layout is open-plan, with a common space shared between the living room, dining room and kitchen. All the rooms exude the same chromatic harmony, with natural tones as the common thread of the furnishings: “The colors chosen for the apartment are vividly reminiscent of places like Kenya. Warm, saturated browns and shades of green go very well together and are bright environments, especially if they are the backdrop to a collection of beautiful potted plants.”
The materials have also been chosen to speak of Nature and tranquility. Although there is no shortage of bolder details in the apartment, in the form of patterns decorating the kitchen worktop in natural stone or on the stoneware bathroom tiles, most of the finishes are smooth and pleasant, in line with the great harmony and homogeneity of materials: wood, microcement, earth-colored porcelain tiles, pieces of stained oak and some natural fiber elements.
Natural light, filtered by linen curtains, comes into play as an additional decorative element complemented by a warm and carefully chosen artificial light.
Taken from the article by MARÍA JESÚS REVILLA, source ELLEDECOR.
